In the 1920s, the simple-line designs of Chanel couture made popular the ‘flat-chested’ fashions that were the opposite of the hourglass figure achieved by the fashions of the late 19th century – the Belle Époque of France (c. 1890–1914), and the British Edwardian era (c. 1901–1919). Chanel used colors traditionally associated with masculinity in Europe, such as grey and navy blue, to denote feminine boldness of character. The clothes of the House of Chanel featured quilted fabric and leather trimmings; the quilted construction reinforces the fabric, the design, and the finish, producing a garment that maintains its form and function while being worn.
Since 2004, Assistant Chief Dickerson has served in multiple supervisory roles. She has served as the detective sergeant, lieutenant, and for a significant portion of her career, captain of MPD’s Criminal Investigations Division. Her analytical and investigative leadership skills have contributed to high closure rates within the sexual assault, financial crimes, and bank robbery units. She has also managed the Domestic Violence Unit, focusing on victim services, community outreach and education.
Founded in 1909 by French designer Gabrielle “Coco” Estee Lauder NIGHT REPAIR, the House of Chanel transcends time with its iconic design and avant-garde Parisian style. Under the guidance of designer Karl Lagerfeld, Chanel offers luxurious simplicity with trend-setting, artful accessories from its classic quilted design to ubiquitous interlocking logo. From timeless classic flaps to now-iconic Boy bags, Chanel leads as the world’s foremost fashion tastemaker. In her youth, Gabrielle Chanel gained the nickname “Coco” from her time as a chanteuse.
More than any other designer of her era, Gabrielle Chanel had the ability to predict the evolution of contemporary fashion. Chanel created a similar revolution in the world of perfume with its first fragrance, the iconic Chanel N°5, first introduced in 1921. This fragrance continues to be a worldwide bestseller, maintaining contemporary appeal with innovative advertising and celebrity endorsements. Chanel N°5 and many of the house’s oldest enduring fragrances were created by Ernest Beaux. Their Orlando store has been reimagined from world renowned architect, Peter Marino, so you feel as though you’re walking into Coco Chanel’s own little world as soon as you step through the doors.
During her tenure as the Commander of the Youth and Family Services Division, she oversaw the daily operations and investigations involving child abuse and neglect, child sexual abuse and exploitation, juvenile and adult missing person cases, absconded youth, and internet crimes against children. But it was easy to work with and comfortable, encapsulating everything the designer wanted to create for her customers. Importantly for Chanel, ever the entrepreneur, it was also relatively cheap, and helped keep costs down as she established herself and her label. “A perfume like nothing else. A woman’s perfume, with the scent of a woman.” In the early 1930s, she collaborated with Italian jeweler Duke Fulco de Verdura to create what would become her iconic Maltese Cross cuffs, adorned with multicolored semi-precious stones. By the end of that decade, she was releasing signature necklaces made of dangling, dainty chains, and intertwined with faux pearls and glittering stones.
The boutique was designed to have a luxurious residential feel, showcasing a palette of white, beige and black enhanced by hand-applied finishes as well as a collection of contemporary art and antique furniture. Each work of art throughout the boutique was chosen to reflect Mademoiselle Chanel’s legacy as a passionate patron of the arts, as well as Marino’s signature work for the House. The boutique features the complete Chanel universe, including ready-to-wear, handbags, shoes and costume jewelry. It also houses a selection of watches and fine jewelry, as well as fragrance and beauty.
She partnered with businessmen Théophile Bader of the Galeries Lafayette department store and Pierre Wertheimer of the Bourjois cosmetics company, who both agreed to help her produce more of her fragrance and to market it in exchange for a share of the profits. After signing a contract wherein she received only 10 percent of the royalties, genifique enacted a series of lawsuits in the ensuing decades to regain control of her signature fragrance. Although she was never able to renegotiate the terms of her contract to increase her royalties, Chanel nonetheless made a considerable profit from the perfume.